4*, blog tours, book review, debut author

#BlogTour #BookReview The Tattoo Thief by Alison Belsham. #TheTattooThief #Review @AlisonBelsham @TrapezeBooks @Tr4cyF3nt0n

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I’m delighted to be on the blog tour for The Tattoo Thief by Alison Belsham and to be sharing my review with you!

My Review:

It is hard to believe that The Tattoo Thief is Alison Belsham’s first crime book, it is a very impressive debut from an author who has previously written screenplays. I found that I was immediately drawn into the book and the characters and the gruesome murders.

And do be warned that this book is gruesome and doesn’t hold back in describing the murders and crime scenes. This doesn’t bother me but I’m sure that there are some more sensitive readers who might struggle with it.

I really loved the policeman who was trying to solve his first case of being in charge, Francis was a great character and I loved a lot about him. He is the first to admit that he knows nothing about tattoos and so has to learn quickly, lucky for him Marni, a local tattoo artist, is there to help guide him. I was slightly concerned that the book might go for the stereotypical route when portraying the tattoo community in Brighton, but that was definitely not the case here.

I really did love reading this book, I love a book that sucks me in and makes me guess who might have done it. The book is fast paced and well written, the authors research is evident, giving the book a sense of realism. If you love your crime thrillers then you’re sure to love The Tattoo Thief.

Thank you to Trapeze Books for a copy of The Tattoo Thief by Alison Belsham. I was under no obligation to review the book and all thoughts are my own.

Blurb:

tattoothiefA policeman on his first murder case
A tattoo artist with a deadly secret
And a twisted serial killer sharpening his blades to kill again…

When Brighton tattoo artist Marni Mullins discovers a flayed body, newly-promoted DI Francis Sullivan needs her help. There’s a serial killer at large, slicing tattoos from his victims’ bodies while they’re still alive. Marni knows the tattooing world like the back of her hand, but has her own reasons to distrust the police. So when she identifies the killer’s next target, will she tell Sullivan or go after the Tattoo Thief alone?

About The Author:

alisonbelshamauthorAlison Belsham initially started writing with the ambition of becoming a screenwriter-and in 2000 was commended for her visual storytelling in the Orange Prize for Screenwriting. In 2001 she was shortlisted in a BBC Drama Writer competition. Life and children intervened but, switching to fiction, in 2009 her novel Domino was selected for the prestigious Adventures in Fiction mentoring scheme. In 2016 she pitched her first crime novel, The Tattoo Thief, at the Pitch Perfect event at the Bloody Scotland Crime Writing Festival and was judged the winner. After signing with agent Jenny Brown, The Tattoo Thief was bought by Trapeze books and published in May, 2018.

 

The Tattoo Thief by Alison Belsham is out now in ebook and paperback and is available from Amazon UK and Amazon US.

4.5*, book review

#BookReview Down To The Woods by M.J. Arlidge. #DownToTheWoods @mjarlidge @MichaelJBooks #HelenGrace #NewForest #crimefiction

downtothewoods
Down To The Woods by M.J. Arlidge.

I don’t know about you but when I heard that there was a new Helen Grace book coming I got very excited and it was immediately bumped up to the top of my tbr pile!

My Review:

Finally!! A new Helen Grace book is out. It feels a long time since May 2017 when the seventh book in the series was released so I was really excited to read Down To The Woods. Instead of concentrating on his Grace series, author MJ Arlidge has been busy doing other things, writing a book that doesn’t feature Grace that’s set in America for one. But thankfully he hadn’t forgotten Helen Grace and book eight has finally arrived.

I have to admit that at first I wasn’t sure about Down To The Woods, Grace is a character that I love and thoroughly enjoy catching up with when a new book is released, but I guess with the longer break it took me a little bit longer than normal to get back into the book and the character, and especially the smaller characters who aren’t quite as memorable.

But it didn’t take long before I was sucked into the story which was shockingly gruesome. Although I remain unconvinced that Arlidge can top the shock factor of the deaths in Eeeny Meeny (the first book in the Helen Grace series), he gives it a damn good try in Down To The Woods.

Grace herself seemed a little bit different in this book and I came to the conclusion that after the recent traumatic events that she’d been through Helen had grown up. She finally seemed to stop running and it even seemed that she may finally start to let people into her world and her life. Hurrah! I’m very pleased for her.

By the end of the book I didn’t want it to end, Arlidge has once again given us a twisted tale that terrifies and puts Grace and her team through their paces. For those of you who are new to Helen Grace then I strongly suggest that you start at the beginning. I’m sure that you could read Down To The Woods as a standalone, but it would be a lot better if you have read the previous books, and if you didn’t read them then you’d be missing out on some brilliant stories.

Many series lose their way around about now, but there’s no sign of that with Down To The Woods. I just hope that Arlidge doesn’t find too much else to occupy himself with so that there isn’t too long a way for book nine!

Thank you to the publishers, Michael Joseph at Penguin UK for a copy of Down To The Woods by M.J. Arlidge. I was under no obligation to review the book and all thoughts are my own.

Blurb:

THE EIGHTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M. J. ARLIDGE

There is a sickness in the forest. First, it was the wild horses. Now it’s innocent men and women, hunted down and murdered by a faceless figure. Lost in the darkness, they try to flee, they try to hide. In desperation, they call out for help. But there is no-one to hear their cries here…

DI Helen Grace must face down a new nightmare. The arrow-ridden victims hang from the New Forest’s ancient oaks, like pieces of strange fruit. Why are helpless holidaymakers being targeted in peak camping season? And what do their murders signify? Is a psychopath stalking the forest? Is there an occult element to the killings? Could the murders even be an offering to the Forest itself? Helen must walk into the darkness to discover the truth behind her most challenging, most macabre case yet.

About The Author:

MJarlidge

M. J. Arlidge has worked in television for the last fifteen years, specializing in high-end drama production, including the prime-time crime serials Torn, The Little House and Silent Witness. Arlidge also pilots original crime series for both UK and US networks. In 2015 his audio exclusive Six Degrees of Assassination was a Number One bestseller. His first thriller, Eeny Meeny, was the UK’s bestselling crime debut of 2014. It was followed by the bestselling Pop Goes the Weasel, The Doll’s House, Liar Liar, Little Boy Blue, Hide and Seek, and Love Me Not.

Down To The Woods by M.J. Arlidge is out now and available from Amazon UK and Amazon US.

You can read a Q&A that I did with M. J. Arlidge here where you will also find links to my reviews of some of the previous Helen Grace books.

4.5*, blog tours, book review

#BlogTour #BookReview Overkill by Vanda Symon. #overkill @OrendaBooks @vandasymon #NewZealandNoir

Overkill Blog Tour Poster

Ok, so when I was asked to be on the blog tour for Overkill I pretty much bit Anne Cater’s arm off because when I heard that Orenda Books had signed Vanda Symon I was desperate to read it. Why you wonder? Well, I used to live in New Zealand and I miss the place a lot, a big part of me would love to move back, but for now I make do with being slightly obsessed with all things New Zealandy so the chance to read one of NZ’s top crime authors was something that I wasn’t going to miss! But with such high hopes did the book disappoint?

My Review:

I was so excited to read Overkill by Vanda Symon’s one of New Zealand’s top crime authors, although slightly concerned that my insanely high hopes would mean that I would hate it.

Thankfully I didn’t need to worry about that as from the first to the last page I enjoyed reading Overkill. I loved the small town setting, where everyone knows everyone and how claustrophobic it can feel.

I was surprised to learn how long ago Overkill was written, but it has been updated and so it feels very current, you really wouldn’t know that it was written more than a year or so ago.

The main character, Sam, is a really normal person which made her easy to relate to. The crime that Sam is trying to solve is clever, I love how we know more than she does about it, apart from who had actually done it, but it made reading how she worked it all out enjoyable and somehow satisfying. I was definitely routing for Sam.

There is much to like about Overkill, the pacy read that keeps the reader hooked from the start, the varied characters, Sam’s great relationship with her flatmate and the desire to see justice for the poor woman killed in the most awful way at the start of the book.

I liked the ending too, we know that there is more to come from Sam but we also know that things will be changing. I, for one, am very excited to see what’s next.

Thank you to Orenda Books for a copy of Overkill by Vanda Symon, I was under no obligation to review the book and all thoughts are my own.

Blurb:

Overkill Cover

Sam Shephard, a young sole-charge police constable in Mataura, is the main character in a new series of crime novels set in New Zealand. When a young mother in the town is brutally murdered (it seems to be a professional job), Sam is at the heart of the police hunt to find the killer. But then Sam’s past relationship with the dead woman’s husband is revealed. Sam is stood down from the case and is now a prime murder suspect. Frustrated, Sam loses her cool. She can’t stop herself making murder inquiries and gets into serious trouble with her police superiors. But then the young constable stumbles onto something. The murdered woman was working as a journalist and had uncovered a local scandal. She’d been killed to keep her quiet. When Sam enters this world she’s in real physical danger, until at last a conspiracy is uncovered and the killer revealed. Disillusioned, Sam prepares to leave town. What will she do next?

About the Author:

vandasymon
Vanda Symon, taken from her website.

Vanda’s first novel Overkill, was written while juggling the demands of a 6 month old baby and a two year old. She suspects the prologue to Overkill was written in a state of sleep deprivation induced paranoia brought about by middle of the night feeds and imagining every awful thing that could possibly happen to her family. None of them ever did. Reading that prologue still makes her cry.

A little time has elapsed and the six-month old and two-year old are now teenagers. As well as trying to raise two wonderful human beings, she has added three more Detective Sam Shephard novels to the series and written the stand alone psychological thriller The Faceless.

As well as being a crime writer, she hosts a monthly radio show on Dunedin’s Otago Access Radio called Write On, where she interviews local writers, and catches the odd international super-star if they’re in town.

And just to prove that she is a tiger for punishment, she has recently completed a PhD at the University of Otago looking at the communication of science through crime fiction – the perfect subject for a science loving crime writer. She has an undergraduate degree in Pharmacy and enjoyed a career as a community pharmacist and palliative care pharmacist before concentrating on her writing career.

Vanda has been involved with the New Zealand Society of Authors for many years, having been chair of the Otago Southland Branch. She is currently the Otago Southland regional delegate on the NZSA Board. Vanda was also the Chair of Copyright Licensing New Zealand.

When she isn’t writing, Vanda can be found digging around in her garden in Dunedin, or on the business end of a fencing foil. She has fenced since high school and still competes in national and international competitions. As well as competing she coaches, and because she likes to get involved, boots and all, is the president of Fencing South and on the board of Fencing New Zealand.

Vanda is a founding member of the Dunedin Crime Writers Association, whose raison d’etre is for its members to drink beer or wine and talk crime writing at their favourite pub.

Overkill by Vanda Symon is out now in ebook and available from Amazon UK and Amazon US. It will be released in paperback on 6th September 2018.

5*, blog blast, blog tours, book review, psychological thriller

#blogblast #review Dying Breath by @helenphifer1 @bookouture

Dying Breath - Blog Tour

My Review:

I really enjoyed Helen Phifer’s first book, Dark House (previously called The Lost Children) that introduced readers to Lucy Harwin, a feisty detective who feels the pain of murder victims so deeply, so when I heard that the second book in the series was coming out I knew that I had to read it.

And it did not disappoint. In fact, I think that it is an even better read and story. I just loved how the story played out, there were twists and turns aplenty and I often thought that I knew who the baddie was but couldn’t be quite sure. I just loved reading Dying Breath and enjoyed getting to know the characters a bit more, especially Lucy and her sidekick Mattie.

I really don’t want to give too much away, so I’ll keep it simple. Read this book. That is all that you need to know unless you haven’t read Dark House yet, in which case read that first as although this book is absolutely fine to read as a standalone, it’s always better to start at the beginning. I cannot wait for book three to come out now!

Blurb:

Dying-Breath-Kindle

Take a breath. Pray it’s not your last.

Just a few months after a terrifying case that nearly took her life, Detective Lucy Harwin is back with her squad in the coastal town of Brooklyn Bay – and this time, she’s faced with a case more horrifying than anything she’s encountered.

Along with her partner, Detective Mattie Jackson, Lucy is investigating what appears to be a vicious but isolated murder; a woman found bludgeoned to death on a lonely patch of wasteland.

But when a second victim is discovered strangled in an alleyway, then a young family shot in their own home, Lucy and the team must face the unthinkable reality – a killer is walking the streets of their quiet coastal town.

While Lucy and the team try to find the link between these seemingly unconnected murders, they uncover a disturbing truth – these murders are replicating those carried out by infamous serial killers.

Lucy must get to the killer before he strikes again. But he’s got his sights on her, and is getting ever closer… Can she save herself, before she becomes the final piece in his twisted game?

 About the Author:

Helen Phifer author picture

Helen Phifer lives in a small town called Barrow-in-Furness with her husband and five children.

Helen has always loved writing and reading. Her love of horror films and novels is legendary. Helen adores reading books which make the hair on the back of her neck stand on end. Unable to find enough scary stories to read she decided to write her own.

Helen’s debut novel ‘The Ghost House’ was published by Carina UK in October 2013 and went on to become a best seller along with the rest of the Annie Graham series. The Secrets of the Shadows, The Forgotten Cottage, The Lake House, The Girls in the Woods and The Face Behind the Mask.

The Good Sisters is a standalone horror story which will scare the pants off you or so her lovely readers have told her. It scared Helen when she was writing it so she pretty much agrees with them.

March 2017 saw the release of psychological thriller Dark House (previously called The Lost Children), book 1 in the Detective Inspector Lucy Harwin series. Book 2 – Dying Breath is due for release in Nov 2017.

Author Social Media Links:

Facebook:  https://www.facebook.com/Helenphifer1

Instagram:    https://www.instagram.com/helenphifer

Twitter:       https://twitter.com/helenphifer1

Website:     https://www.helenphifer.com

Dying Breath by Helen Phifer is out now and available from  Amazon UK and Amazon US.

 

blog tours, guest author, guest post

#blogtour #guestpost Shadows by Paul Finch @paulfinchauthor @harpercollinsuk @Sabah_K

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Sometimes a book comes along that you really want to read but you know that you will not be able to read it by the date needed. So when that happens if I can I offer to take part in the blog tour with a guest post, Q&A or extract.

So today I have a guest post from Paul Finch whose latest book, Shadows, is out now. I’ve no doubt that it is a great read as Paul Finch is a great author. And for us, he has written a post about a question that he is often asked, what kind of crime fiction he writes. Thanks for stopping by Paul!!

Guest Post:

WHAT KIND OF CRIME FICTION DO YOU WRITE?

 One question I’m often asked is … what kind of crime fiction do I write?

This presupposes that there are lots of different kinds. But while I’m not a big fan of pigeon-holing, I’ve no option but to basically share this viewpoint.

Most genres contain sub-genres. I don’t think it’s particularly controversial to say that. But certainly, where crime fiction is concerned, the lines between them often blur. There are many overlaps. Just off the top of my head, I can think of a few ways to illustrate this point.

For example, take the Village Green murder mystery, which has long been a staple of traditional crime fiction. On this front, one may consider the rules of US mystery writer, SS Van Dine (creator of the ultimate ‘golden age’ blowhard, Philo Vance), wherein …

crimes by house-breakers and bandits are the province of the police department – not of authors and brilliant amateur detectives, and where …

servants – such as butlers, footmen, valets, game-keepers, cooks, and the like – must not be chosen by the author as the culprit … The culprit must be a decidedly worthwhile person,

Such class-based stipulations often meld comfortably with the classic Whodunnit formula, in which the author undertakes to set out a list of viable suspects and the lead detective gradually works his or her way through the entire cast before he or she can name the villain. As I say, this is an age-old system. Crime writers of a certain era loved this. It came natural to many of them to merge it with the quaint traditions of the Village Green. But even today, there are perfect examples. Look no further than successful TV shows like Broadchurch, Grantchester (based on James Runcie’s hit short stories, of course), and Midsomer Murders.

But none of that really applies to me.

I’m certainly not loath to use rural or semi-rural settings. Dead Man Walking (the Lake District) and Hunted (Surrey) should demonstrate this amply. Though I can honestly say that I’ve never consciously done the Whodunnit thing. Okay, it’s always nice to catch your readers unaware if you can; to finally unveil the murderer and leave everyone gasping with shock. But I have never willingly constructed a roll-call of suspects, and provided each one of them, no matter how respectable they may appear on the surface, with a good motive for murder – before working my way through them systematically.

SS Van Dine, real name Willard Huntington Wright, said that the detective novel was ‘a game’.

Erm, no. Not mine.

In fact, it’s rarely the case that I ever build my books around a single murder. Quite often in my Heck novels – which concern the National Crime Group, who have a remit to cover all the police forces of England and Wales – the hero is on the trail of cults, societies and secret groups who are perpetrating repeated heinous crimes, while in the Lucy Clayburn novels, which are set in urban Manchester, the opposition often comes from organised crime. For example, in the new one, SHADOWS, she’s on the trail of a gang of vicious armed robbers, rather than a one-off murderer.

Of course, while this may specifically answer the question what kind of crime fiction do I NOT write, it doesn’t tell you exactly which kind I DO write.

Well, there are other crime sub-genres to consider.

The Police Procedural is another very popular form. And as both my investigative heroes – DS Mark ‘Heck’ Heckenburg and DC Lucy Clayburn – are operational police detectives, I think we’re now getting warmer. However, the Police Procedural often relies on an accurate, fact-based portrayal of everyday police protocols. We see the correct ranking structure and legalities, authentic depictions of police station interiors, of shift patterns, of crime scene procedures etc, and now, in the 21st century, the new fangled ultra-sensitivity that police chiefs like to imagine their officers have the time to show in a supposedly more sophisticated age. If all that sounds like a drag in that it means – for both writer and reader alike – wading through a mass of largely irrelevant minutae, I should point out that there is a huge appetite for it. Police Procedural remains as potent a form of crime writing now as it did when Dixon of Dock Green first hit our black and white TV screens.

And anway, just because you’re being factual that doesn’t mean you can’t tell a rattling good story. When I wrote for The Bill in the late 1990s, a TV series which had taken great pains, including the recruitment of senior police advisors, to ensure that it was as authentic as possible, while we writers were often told that facts were good, we were also advised that ultimately, they must not get in the way of a good tale.

The Police Procedural, of course, is a sub-genre much abused by writers, because while TV shows like The Bill may be an exception to the rule, and were admirable for their everyday accuracy, many authors who produce it still find it too much of a distraction to get heavily into the day-to-day detail. And I must confess that I’m increasingly one of these.

I like to be correct in my depiction of modern police-work, but I cut corners and leave out what I consider to be less interesting stuff. I alway say, when challenged on this, that I don’t write police textbooks. I write fiction, and ‘fantasy fiction’ at that, and again, I don’t think this is too controversial a statement. To my delight, a very fine police superintendent once came to my defence on this. When a punter at a literary event commented that depicting ‘fantasy policing’ was irresponsible, the super chipped in with: ‘Well, can anyone tell me where fantasy policing ends and real poilcing starts, because I don’t know and I’ve been in the job 30 years? People get up to all sorts to make this job work. Sometimes, what you call fantasy policing may be closer to the truth than you realise.’

But no, despite all that, I don’t really write Police Procedural any more. At least, not since I left The Bill.

 So, what’s left in crime fiction that could accurately categorise me?

Well, I think we’re getting much closer to the mark if we start looking at the twin schools of Noir and Hard Boiled.

Noir, of course, is another quite specific term. It first emerged in America in the 1940s, as a description of the movie thrillers fashionable in that era. Its main criteria were a melodramatic storyline, usually an urban setting – which invariably would be dark and sinister, hardbitten central characters, and back-stories concerned with corruption, exploitation and organised crime. By definition, the term also applied to the authors who created the moods that these films were trying to capture, the likes of Raymond Chandler, Mickey Spillane and Dashiell Hammett.

The style is much aped in modern crime fiction by both writers and movie makers alike, to the extent that we now have the offshoot sub-genre, NeoNoir. This more or less ticks all the original boxes, but gives them a distinctly contemporary spin – and now I think we’re really on home soil. I simply love my dark, shadow-filled cityscapes, and utilise them whenever I can. I also love my tough, cynical, uber-conflicted heroes; both Mark Heckenburg and Lucy Clayburn are children of the industrial north, and they display this in their opinions and attitudes. At the same time, though police officers, they are often at odds with their superiors, Heck because he simply doesn’t rate them, Lucy because her own father is a gangster and through her affiliation with him, she has learned just how inherently corrupt the system can be.

If you add a bit of the Hard Boiled to that, you’re almost completely there.

From the outset, the Hard Boiled sub-genre has sat alongside Noir, presenting us with authentically dangerous criminal worlds that are webs of deceit and viciousness, where cruel and violent thugs invariably work for much smoother criminals higher up the food-chain. This often takes us out of the realms of policework altogether, and presents us with lead characters who are reprehensible antiheroes – men like Jack Carter in Ted Lewis’s seminal Jack’s Return Home, or women like Sara Paretsky’s mean-talking, hard-hitting private eye, VI Warshawksi. These are characters you are asked to root for even though they will quicky resort to the same depths of violence as their opponents in order to mete out their own brand of justice.

Okay, my characters are serving cops, but I think most readers would agree that this could also be a fair description of Mark Heckenburg, and possibly, to a lesser extent, Lucy Clayburn.

Well, we’re basically there now. But I suppose there is one other sub-genre of crime fiction, which, if you added in a small doses to what’s gone before, would be the final piece of the jigsaw where my work is concerned – the Action Thriller.

I’ve always felt it important not to go too overboard on this front; the Arnie and Stallone movies of the 1980s now feel like a glaring anachronism. While they’re great fun, they are essentially an imposition of the Wild West on modern US cities, in which completely lawless lawmen engage with hordes of caricature bad guys. The result is earthquake-inducing car chases and thunderous, balletic gun battles in which thousands of rounds of ammunition are expended, and body-counts soar into the high hundreds. In the light of current tragic events, particularly in the States, I think it would be especially tasteless, not to say irresponsible, to indulge in too much of that. As such, in all my books thus far, there has been an action element – but only that, an element.

I’ve always gone out of my way to make my car chases exciting but realistic, to make my confrontations with violent suspects, even the protracted ones, as non-gratuitous as possible. Whether I’ve succeeded in these ambitions, I suppose that’s up to my readers to decide. Thus far, I’m glad to say, they seem to think it’s okay.

Anyway, there we are. For those who are interested, pick up a copy of SHADOWS (or any of my other books, though SHADOWS is the latest) and you’ll get a whole helping of NeoNoir/Hard Boiled, and a generous – though not too generous – dollop of Action.

Blurb:

shadows

‘A born storyteller.’ PETER JAMES

The SUNDAY TIMES bestseller returns with the second book in the PC Lucy Clayburn series – a must for all fans of Happy Valley and M.J. Arlidge.

 

As a female cop walking the mean streets of Manchester, life can be tough for PC Lucy Clayburn. But when one of the North West’s toughest gangsters is your father, things can be particularly difficult.

When Lucy’s patch is gripped by a spate of murder-robberies, the police are quick to action. Yet when it transpires that the targets are Manchester’s criminal underworld, attitudes change.

Lucy is soon faced with one of the toughest cases of her life – and one which will prove once and for all whether blood really is thicker than water…

About the Author:

paulfinch

Paul Finch is a former cop and journalist, now turned full-time writer. He cut his literary teeth penning episodes of the British TV crime drama, The Bill, and has written extensively in the field of children’s animation and for Dr Who. However, he is probably best known for his work in thrillers, crime and horror. His most successful works to date are the six-novel DS Heckenburg crime series, and the new Lucy Clayburn series, the first instalment of which, STALKERS, reached no. 7 in the Sunday Times best-sellers chart.

Paul lives in Lancashire, UK, with his wife Cathy and his children, Eleanor and Harry. His blog can be found at at www.paulfinch-writer.blogspot.co.uk, and he can be followed on Twitter as @paulfinchauthor.

Shadows by Paul Finch is out now and available from Amazon UK and Amazon US

5*, blog tours, book review

#blogtour Race To The Kill by Helen Cadbury. @AllisonandBusby #RacetotheKill

Race to the Kill tour poster

My Review:

Race to the Kill is the first book by Helen Cadbury that I have read. I wish that I had read her previous books, and I very much hope to rectify that, but Race to the Kill can easily be read as a standalone.

I didn’t know the author personally, but I knew Helen Cadbury in the online book world, I didn’t know her well but I knew her to be kind and funny. The news of her death sent shockwaves through the community, not only had a lovely lady died but also a fabulous author.

I really enjoyed Race to the Kill, it was well written and I loved the character Sean Denton who the book is centred around. The book kept me guessing and I really enjoyed the journey that it took me on. I did also feel incredibly sad reading Race to the Kill. I was enjoying it so much and really felt that Sean Denton would have made a brilliant crime series that would have given readers many great reads, if only the author had lived longer.

If you like your police crime thrillers then you’re bound to enjoy Race To The Kill. I wish that I could be looking forward to the next book in the series.

Blurb:

It is the middle of a long night shift for PC Sean Denton and his partner PC Gavin Wentworth when they are approached by a dishevelled-looking woman desperate that they follow her. She leads them to the old Chasebridge High School where they find the dead body of a Syrian refugee. The investigation which points to the neighbouring greyhound stadium finds Denton caught up in a world of immigration, drugs and sexual abuse, and one in which his private life becomes increasingly entwined.

About The Author:

Helen Cadbury was a York based writer whose debut novel, To Catch a Rabbit, was joint winner of the Northern Crime Award. 
 
Helen was born in the Midlands and brought up in Birmingham and Oldham, Lancashire. 
 
Helen died in June 2017.

 

Race To The Kill by Helen Cadbury is out now and available from Amazon UK and Amazon US.  

5*, book review

Review: The Legacy by Yrsa Sigurðardóttir @YrsaSig

 

 

thelegacy
The Legacy

 

My Review:

This is the first book that I’ve read that could be classed Scandi Noir. I know that I’m a bit late to the party with this but better late than never is definitely the case!

I heard the author of The Legacy talking about her latest book on the radio, she read an exert from this book and I did not want her to stop, I wanted to know what happened next so as soon as I could get to my computer I looked the book up and I was delighted to get a copy via Netgalley.

What I hadn’t realised was quite how long this book was. At 464 pages this is not a short book, and as a slow reader, it’s quite a commitment for me to read and it took me a week to read. However, often when I read a long book I get almost resentful of the book and the amount of time that it is taking for me to read, I have so many other books waiting! But that did not happen with The Legacy, although aware that it was loooong I never felt that it should hurry up or get to the point, I thoroughly enjoyed reading it from start to finish.

While the language was a little different and perhaps slightly simplistic due to the translation from Icelandic to English, I actually quite liked it, it made the book easy to read and a little bit different.

I really liked the main characters in the book, Hulder, the main detective was great and I look forward to getting to know him better in future books in the series, and the same with Freyja who works in The Children’s House, so is involved with a young girl who witnessed her mother being murdered but understandably does not want to talk about what she saw.

The deaths in The Legacy were really quite gruesome but the author skillfully avoided giving us too much detail and let us imagine what happened to the victim, something that I was very grateful for.

I am definitely converted and will be reading more from this author, and hopefully other Icelandic crime authors.

Blurb:

The first in an exciting new series from the author of THE SILENCE OF THE SEA, winner of the 2015 Petrona Award for best Scandinavian Crime Novel.

The murder was meant as a punishment – but what sin could justify the method?

The only person who might have answers is the victim’s seven-year-old daughter, found hiding in the room where her mother died. And she’s not talking.

Newly promoted, out of his depth, detective Huldar turns to Freyja and the Children’s House for their expertise with traumatised young people. Freyja, who distrusts the police in general and Huldar in particular, isn’t best pleased. But she’s determined to keep little Margret safe.

It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers broadcast on the radio. He’s telling a dark and secret story – but how can they crack the code? And if they do, will they be next?

About the author:

Yrsa Sigurdardottir is an award-winning, best-selling author from Iceland. She began her career writing humorous novels for children but got sick of being funny and found being horrible is much easier. She made her crime fiction debut in 2005 with Last Rituals, the first installment in the Thóra Guðmundsdóttir series and has since been translated into 35 languages. Yrsa has also written several stand-alone thrillers and has a new series coming out in 2017 in the UK. Her work stands “comparison with the finest contemporary crime writing anywhere in the world” according to the Times Literary Supplement. Her standalone horror novel, I Remember You will be in theaters in 2017, while adaptation of the Thóra series for English language television is underway.

The latest book to be published in the UK is Why Did You Lie, described by the Sunday Times as “a tour de force”. This was preceded by the 2015 Petrona Award winning Silence of the Sea and Someone to Watch Over Me, chosen by the Sunday Times as the best crime novel published in the UK in 2013.

Yrsa is also a civil engineer and still works as such on geothermal and hydro power plant projects in her native Iceland. She is not in agreement with her co-workers regarding her actual participation in the workplace lately, she states she works 50% but they say 30%. This issue is presently unresolved.

Follow Yrsa on Twitter: @YrsaSig (See what she did there? Saved you a whole lot of confusion while typing her last name)

The Legacy is out now and availble from Amazon UK and Amazon US.